When news spread the other day that work crews were draping black steel
netting over the facade of Our
Lady of Loreto Church, the people fighting to save the building from
demolition found themselves stymied — and reflecting on a yearlong
campaign at the brink.
For them, it has been a campaign for their past, embodied in an
architectural treasure in a blighted neighborhood in the Brownsville
section of Brooklyn. The church, with its frescoed ceilings and fine
Italian statuary, was built by Italian immigrants with their own hands
in the early 1900s, on land farmed by the first Italian settler in
America, because they did not feel welcome in German-speaking and Irish
Roman Catholic parishes.
“This is not just about a church,” said Charles Piazza, the leader of
the effort, who has resolved to fight on. “It’s about a piece of the
Italian-American heritage — a symbol of how we made a place of our own
in this country.”
But mixed with the pride and defiance of the advocates — some former
parishioners, some history buffs, most of them Italian-Americans — was
an equal share of self-criticism.
“Why don’t we Italian-Americans have the kind of clout that other ethnic
groups have?” asked Mario Toglia, a retired New York City schoolteacher
from Long Island. “The Irish, the Jewish, the African-American and
Latinos — all these other groups have an ability to come together around
a cause and fight. But not us.”
It is a question that for many years has quietly nagged many
Italian-Americans in the form of a paradox: Individuals of Italian
heritage have scaled the highest ranks of government, business and
entertainment; yet, as a group, they seem flummoxed by the notion of
making common cause.
They lament that they cannot coax Hollywood off its addiction to
organized-crime stereotypes, or draw more than a ribbon of spectators to
the Columbus Day Parade in New York. And now, despite support from the New York Landmarks Conservancy
and even an inquiry from the Vatican,
they have not rescued Our Lady of Loreto.
The Diocese of Brooklyn has moved to raze the church, on Sackman Street,
so that 88 units of much-needed housing for low-income residents can be
built in the neighborhood, which is now home to Latinos and
African-Americans.
Underscoring the paradox, the man who ordered the demolition, Bishop
Nicholas A. DiMarzio, is an Italian-American.
“He knows, believe me, he understands the irony of all this,” said the
bishop’s spokesman, Msgr. Kieran E. Harrington. “But it’s a question of
facing reality. We have a real plan, which will make a real difference
in this community. The other side has wishful thinking.”
Over the past decade, as Catholic officials in New York have closed
underused churches and schools, there have been many battles. About a
dozen churches have been demolished, and at least a dozen more are in
limbo, draped for demolition while parishioners mount campaigns to
reopen them.
Yet this fight is different. Former parishioners do not pretend that the
neighborhood can support Our Lady of Loreto, which has been closed for
more than a year.
Instead, they have gathered behind a proposal by a loose coalition of
Italian-American advocates and African-American leaders, including the
developer Jeffrey Dunston, to convert the church into an arts pavilion
and community center. The culture center would be the anchor for 90 to
100 units of low-income housing, a few more than in the church’s plan.
Mr. Dunston, chief executive of the nonprofit Northeast Brooklyn Housing
Development Corporation, has built hundreds of low- and
moderate-income housing units in the neighborhood over the past 15
years.
But church officials say their own plan is “shovel ready,” awaiting
formal go-aheads from city and state financing agencies. The plan
offered by Mr. Dunston and Mr. Piazza lacks financing, they said, and
underestimates the cost of converting an aging church into a community
center.
Last week, Bishop DiMarzio extended an olive branch, offering to insert
some of the church’s outdoor statues into the facade of one of the new
apartment buildings.
Flavia Alaya, an architectural historian who has been working to
preserve the 1908 church, called the proposal “grotesque.”
Ms. Alaya, who has studied the works of the church’s architect, Adriano
Armezzani, and its builders, Antonio and Gaetano Federici, called Our
Lady of Loreto one of the finest examples of a Roman Renaissance style
embraced by Italian-American artists at the turn of the 20th century in
an effort to introduce neoclassical architecture to American cities.
She pleaded with Bishop DiMarzio in a letter last month to cancel the
“irreversible demolition of this extraordinary century-old church” while
Mr. Piazza and Mr. Dunston arrange their financing. And she wrote to a
Vatican commission that oversees historic preservation, which promised
to review the case.
A similar battle was recently won by a coalition of Latino parishioners,
Irish-American organizations and the serendipity of an anonymous donor
who gave $20 million to save St. Brigid’s Church, in the East
Village, which was built by Irish immigrants in the 1840s.
“This will be the test of whether Italian-American clout is equal to
that,” Ms. Alaya said.
Mr. Piazza, a commercial real estate broker, said he had been talking
with supporters about what to do next, including legal options. “The
fight is on,” he declared.
After more than a year of promoting the campaign with mass e-mail
messages and a sophisticated chain of linked blogs, he has recently
begun to attract the attention of Italian-American leaders outside
Brooklyn. For various reasons, none had taken the effort too seriously
until the steel netting went up last week.
“Italian-Americans have money and power, but they do not really have a
sense of cultural cohesion,” said the president of the Italian Historical Society of
America, John J. LaCorte. His father, John N. LaCorte, is credited
with bringing the Columbus Day Parade to Fifth Avenue and persuading
officials in 1964 to name a new bridge in honor of the first European
explorer to enter New York harbor, Giovanni da Verrazano.
“It may have to do with how much some of the other ethnic groups of New
York are bound by historic oppressions,” Mr. LaCorte said, citing
African-Americans, the Irish and the Jews. Italians were treated badly
when they arrived, he added, but had endured nothing like slavery,
pogroms or mass starvation.
Stella Grillo, president of the New York commission for social justice
of the Order of the Sons of Italy in
America, said she planned to support efforts to save Our Lady of
Loreto and would recommend that the national organization throw its
weight behind the campaign.
Ms. Grillo diagnosed the problem of Italian-Americans this way: “We
don’t know how to toot our own horn. This is a country where you’ve got
to do that.”
David Mikael Taclino
Inyu Web Development and Design
Creative Writer
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