Due to the many artists out there, it’s easy to get towed under and
generally obscured from the public.
Make a Difference aims to do exactly that. This series of articles will hopefully make a difference to you as well as the artists featured weekly. Just by giving one minute of your time to write constructive comments, favourites and even watches will make a difference to these artists.
It all comes in a rush-first the air in my lungs, then the bright white
light, and then the beeping sounds of the machines.
David Mikael Taclino
Inyu Web Development and Design
Creative Writer
Make a Difference aims to do exactly that. This series of articles will hopefully make a difference to you as well as the artists featured weekly. Just by giving one minute of your time to write constructive comments, favourites and even watches will make a difference to these artists.
"The Earth is Not a Cold Dead Place."
It all comes in a rush-first the air in my lungs, then the bright white
light, and then the beeping sounds of the machines.
Still
blinded, all I can make out is whispering.
Did you hear
that? a familiar female voice asks.
Hear what?
This one is older, weary.
I thought-he sounded like he was
gasping.
Honey. Let's not . . . jump to conclusions,
says the older woman delicately.
No, Mother, look- My
eyes are open, and all I can see is white.
After they
take me off the machines, she sits beside my bed, looking at me with her
eyes huge. Like she can't believe that I'm real. Like she can't believe
that I'm alive. Her hands are clasped so tightly in her lap that they
are shaking, the knuckles blanched from the effort. Everything about her
is held taut, and I can't tell if she's waiting to spring, or if she's
trying to contain something.
"Emma," I say, and she jumps.
Swallows, once. "What?"
"Do you have any idea-" she starts,
then cuts herself off. Her voice is tight and pitched higher than it
would usually be. She takes a breath and tries again. "Do you know what
happened?"
I open my mouth to answer her, and then close it
again. "No," I say. "Not really."
"You've been in a coma for
six days," she tells me. The words spill out quickly, jumbled together
and tumbling out like overgrown vines. She makes a small hiccuping noise
and is silent again.
"Six days?" I say. It feels shorter
than that; it feels longer. I've been dreaming the entire time.
"They
told me you probably wouldn't make it," she tells me. Her voice is
clearly trying not to reveal her state of shock. "I didn't want to
believe them."
"Did you, eventually?" I ask her, because I'm
feeling weirdly curious.
She looks down at her clasped hands
and says, "Sometimes." I can tell that she's trying not to cry.
"Em."
She looks at me through her eyelashes, refusing to lift her head. "I'm
here now, aren't I?" Slowly, I raise a stiff arm, and, feeling the
joints creaking from disuse, place my cold fingers over hers.
II.
The Only Moment We were Alone The first time I met Dan, I
spilled beer on his shoes.
He was the music major who lived
on the floor above me in college. My roommate, Tish, insisted on
dragging me to one of her boyfriend's raucous parties, and that night I
didn't have the willpower to say no. It had been the end of finals week,
just before everyone left for home, and I figured that it couldn't
hurt.
Of course, I was wrong.
I normally have an
average tolerance for alcohol, but mixing an average tolerance with a
rather out-of-control party never does anyone good. After having a few
too many shots pressed into my hands, I couldn't tell the ceiling from
the floor.
Tish had no patience for a novice like me. She
flagged down Dan, who had been sitting in a corner, someone's designated
driver.
"Dan, could you take care of her for a while?" I
heard her ask.
I felt myself being shoved, and then I felt
myself crashing into someone, hands steadying me.
"Easy
there, sit down." I was eased into a seat. Then, "Tish, really-"
"Look,
it's just my roommate. I'll get her later, bring her home. Don't worry
about it." Dizzily, I watched Tish push through a group of drunken
dancers, leaving me alone with Dan, whom I had barely ever spoken two
words to before.
Dan looked down at me. "You must be Emma,"
he said, sounding weary.
"That's me," I said. I still had a
bottle of beer in my hands, but I had forgotten about it; I let my hand
fall into my lap, spilling beer all over Dan's shoes.
Dan
sighed. "All right, big girl, let's get you sobered up."
Dan
helped me stagger into the bathroom and sit on the lid of the toilet,
then locked the door behind us. He dug through the medicine cabinet for a
cup, washed it out, and filled it with water from the sink.
"Drink
up," he said, offering it to me.
"No," I said, pushing his
hand away. Some water sloshed over the rim of the cup.
"Come
on," Dan said. "You'll feel better if you do." By this time my head was
pounding; even if the water had been laced with arsenic, if he said that
it would make me feel better, I would drink it.
"Who are
you?" I asked him between sips of water.
He perched on the
edge of the bathtub across from me. "I'm Dan. I live on the floor above
you."
"Oh," I said stupidly. "Right." I drained the cup; Dan
sprang up and refilled it, handed it back to me.
We went on
in silence like this for a while: me drinking water and Dan refilling my
cup every time it was empty. My head began to clear.
"Sorry
about your shoes," I said finally.
"They were an old pair,
anyway."
There was another awkward silence. Then Dan said,
"Do you hang out with Tish a lot?"
I snorted. "No. I was just
easily coerced tonight." I sighed. "I'm really sorry about your shoes."
Dan
cracked a small smile. "Don't worry about it, okay?"
"I'll
make it up to you eventually," I vowed, draining another cup.
Dan
got up to fill it. As he gave the cup back to me, he had a thoughtful
expression on his face. "You know how you can make it up to me?"
"How?"
I asked. I watched him warily.
"Let me take you out to
dinner tomorrow," he said cautiously.
"I'd say yes, but I
might not remember that in the morning," I warned him.
He
flashed me a rare, wicked grin. "I think I'll risk it."
III.
Six Days at the Bottom of the Ocean When you're in a
coma, you feel like you're under a thousand feet of water. Everything is
there, but it's either muted, or out of reach.
You can sense
brightness and darkness, but you can't quite remember what either of
them are like, if they have a shape or a sound or a smell. You can hear
snatches of conversation, but the sounds tangle themselves in your head,
and you can't understand them. You can feel someone putting a hand on
your forehead or stroking your fingers, but you feel like your body
isn't really a part of you, like it all just belongs to someone else.
Your
life feels like it's been packed in cotton for safekeeping, put on hold
and preserved so that you can resume it later. If you live to resume it
later.
Later, I tell Emma that I spent a lot of time
dreaming. It's night, and she's climbed into the narrow hospital bed
beside me, one hand clasping my own to her chest.
"What did
you dream about?" she asks me.
"Once I dreamt that I was
flying," I tell her, "but then I fell, and I guess the whole world was
encased in this huge glass bubble or something, because when I fell I
shattered it. There was glass everywhere, like rain. Except I looked
down at my chest and there were these huge shards sticking out of it . .
." I stop, because Emma's fingers are tight around mine, and I realize
that my description sounds too much like the accident put me in the
hospital in the first place.
"There was so much glass," she
whispers, echoing my thoughts. "All over the road. So much of it. So
much blood."
I turn my head to look at her. She's staring at
the ceiling, as if the blank tiles will tell her what she already knows,
what she's already seen. I keep talking to distract her.
"I
dreamt about my mom," I say.
Emma looks at me. "I thought you
didn't remember her at all." My mom died when I was two.
"I
don't," I say, which is mostly true, "but there were-shadows of her. I
can remember someone holding me. I can remember long hair in my face.
Someone who smelled like clean laundry."
"Can you miss
someone you can't remember?" Emma asks me and no one in particular at
the same time. She is reading my mind.
"I don't know," I say.
"Sometimes I feel like I do."
Emma doesn't say anything, but
I know she is thinking about it.
"And I dreamt about you," I
add, because I know she's been waiting for it.
"Did you?"
Her lips are close to my ear and I can feel her breath on my cheek.
"Yes,"
I say. "I dreamt that you were nineteen again and spilling beer on my
shoes."
She smiles. "That was an awful night."
"Really?"
I say. "That was the best night of my life."
"Better than
the first time we had sex?" she asks slyly.
"Clearly," I
retort. "You gave me an excuse to get new shoes. How could that compare
with sex?"
Emma gives my shoulder a nudge in retaliation but
doesn't argue. She just grins.
IV. Memorial Six
days is about the time that they start suggesting that you give up
hope. They slip this idea carefully into their tones, their wording.
They look at you with tired eyes and expressions that tell you that
they'd really rather be somewhere else as their lips say, Things
become more unlikely as time goes on, you know . . . Six
days is about the time that they start shifting their thoughts from He
is alive and he has a chance, to He is dead and is taking up
space on a bed that we can use for someone else. It's a
business-like way of thinking of things, and when you're surrounded by
death so much, I can see why you'd start to think that way. But the body
on the bed is still my husband. The body on the bed still looks like
him, although I don't know if it still thinks like him, behaves like him
in its own little sleeping world. There were times where I wished I
could flip open the top of his head, like in cartoons, to see if
anything was going on in there.
Six days is about the time
that you get tired of holding nightlong vigils and of being worried and
of hoping, although you don't say any of those things. You push the
thoughts out of your head in case they bring something more horrible
down with them. In case they bring bad karma, make things worse. And you
feel guilty for thinking those things, because you're supposed to be a
good faithful wife, and to be loyal and to hope. And then you just feel
tired, the fatigue filling up any emptiness you feel, wiping out any
room for thinking.
Six days stretches itself into years,
snaps back into seconds; time bends itself into a million different
directions, and then comes back and taps you on the shoulder to remind
you that it is still moving, and all you want to do is curl up in a
corner and sleep.
After Dan comes home from the hospital,
I try not to tell him these things. Especially the last bit, because it
makes me feel like I've abandoned him, even if it was only for a little
while, while he's never abandoned me.
Sometimes he asks
about it: "What were you thinking, while I was in the coma?"
And
I'll say, "I was hoping that you'd pull through." And this is true, by
all rights and means. And then I'll change the subject.
But I
know that a lie by omission is still a lie. It's my secret.
V.
Your Hand in Mine The second time I met Emma, she was
still slightly hungover, and she was wearing a blue dress and a large
white lily in her hair.
"You look beautiful," I told her when
she opened the door for me.
She blushed. "Thank you." We
stood there awkwardly for a moment. "I'll get my bag, and we can go."
The
restaurant that I chose was a safe one-Italian. We both got pasta. We
talked about our majors-mine, music, and hers, English-our families, bad
high school experiences. She was easier to talk to than I had
anticipated.
"You know, you've been living on the floor above
me for six months, and I've barely spoken to you," she said during a
rare lull in the conversation.
"It happens," I said. "I
hardly ever speak to my upstairs neighbors at home. Granted, they're a
half-deaf old couple, but . . ."
Emma was kind enough to
laugh at my awful joke. "I wish I had met you earlier," she confesses,
twirling pasta around her fork and not looking at me.
"Should
have spilled beer on my shoes earlier then," I said, laughing.
"I'm
never going to live that one down, am I?" she said, pretending to sigh
dramatically.
"I'll be on my deathbed and I'll remind you," I
said.
On the first Saturday that I'm home from the
hospital, Emma and I lie in our bed, listening to the rain fall outside.
She traces the new pink scars on my chest, and I reach over to stop her
hand from moving.
"Stop worrying," I say, answering her
unspoken words. "I'm right here."
"You weren't, for a while,"
she says. She's trying not to sound accusing.
"But I came
back," I say. I toy with her wedding ring, spinning it around and around
her finger. "I'm sorry."
"You don't have to be," she says.
We
lie in silence for a little while.
"Did you really dream
about me at that party?" she asks after a while.
I laugh.
"No," I say. "I dreamt about how you looked when we went on our first
date. With the flower in your hair." I pull her hair away from her face,
trace the outside of her ear. "I dreamt about our first kiss. It was
nice."
"The dream or the kiss?" she asks quietly.
"Both,"
I say.
"And now?" she says.
"Right now is
perfect," I say.
I take her hand in mine, and lace my fingers
with hers as the rain lulls us to sleep.
David Mikael Taclino
Inyu Web Development and Design
Creative Writer
